Rikurô Miyai Filmes

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity...

Miyai layers ghostlike footage of unauthorized street performances in the Shinjuko district of Tokyo with color filters and lights.

In Shadow (1968), Rikuro Miyai projects two films of his own shadow walking outdoors side-by-side—one positive, one negative—each a...