Takahiko Iimura Filmes

A voice performance by John Cage who "reads", "vocalizes" and "whispers" in three different manners his artificial language taken from "Finnegens...

"This Is A Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...

First projected onto Jiro Takamatsu's naked back at the legendary Sogetsu Art Center for the performance Screen Play, Colors is an experiment in...

Short film for the "A Commercial for Myself" programme.

An attempt at time travel in a very conceptual sense.

Home movies shot on Super 8mm by W+B Hein over 10 years.

In "I Am A Viewer, You Are A Viewer" the performer plays the double role of the performer and the audience simultaneously, talking to his own shadow....

A portmanteau of two films about Uluru (then known as Ayres Rock). "A huge isolated rock in the midst of desert in Australia: Ayers Rock. I produced...

From the collector of Marquis de Sade in the early 1960s, still a 'dark age ' of erotic picture, even his novels were forbidden to publish in Tokyo,...

Demonstrates the visual logic (and illogic) of sign combining with limited movements of camera for panning and zooming.

Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each...

This video deals with the perception of seeing including the words as I see you, I am seen, and I am not seen. These words are superimposed over the...

Short work.

Sky and ground which was cut off momentarily / A camera wanders seeking its own shadow / The images which explore the limit / of solitude in New York...

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The...

A kind of first person cinema where the filmmaker is the cameraman as well as the actor. Acting like a total stranger in the city who does not speak...

Cameras once again observing each other.

A journey through light and darkness reflected on the city of New York.

Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...